Joining the back. A bright light source is required to ensure there is no gap whatsoever.
Photo added on 09/06/2021
Gluing the reinforcement strip that runs along the join inside the back.
Photo added on 09/06/2021
Excavating the channel for the rosette.
Photo added on 09/06/2021
Once the rosette is fitted, the soundhole can be cut.
Photo added on 09/06/2021
Shaping the front braces.
Photo added on 09/06/2021
Blocking up the neck, with a scarf join at the headstock
Photo added on 28/07/2021
Cutting the sides to length
Photo added on 28/07/2021
A small cap over the join in the x-braces is essential for long-term strength and stability
Photo added on 28/07/2021
Ieuan cuts the binding channel by hand
Photo added on 28/07/2021
Ready for gluing the fingerboard
Photo added on 25/08/2021
Reducing the neck to the fingerboard width
Photo added on 25/08/2021
Setting the intonation during trial stringing ensures ideal positioning of the saddle
Photo added on 25/08/2021
Ieuan's bevel arm rest
Photo added on 25/08/2021
Ieuan inlaid a St Chistopher in the back veneer of the headstock
Photo added on 25/08/2021
Ieuan with his finished guitar
Photo added on 25/08/2021