Fitting the small mosaic tiles for the rosette giving a double helix effect
Photo added on 12/11/2018
Martin's own design uses inverted 'T' shaped braces which radiate from the bridge area
Photo added on 12/11/2018
Final shaping of the fan braces prior to the larger transverse braces being fitted
Photo added on 12/11/2018
Planing the end of the headstock veneer which must be square to both the centre line and the fingerboard surface
Photo added on 12/11/2018
Routing the headstock slots
Photo added on 12/11/2018
Thicknessing the rosewood sides
Photo added on 03/01/2019
The wings, left on the neck for ease of clamping, are removed before assembly
Photo added on 03/01/2019
Martin's guitar prior to gluing the back
Photo added on 27/01/2019
Applying the French polish
Photo added on 03/01/2019
Martin's first guitar has a cedar front...
Photo added on 03/01/2019
...while his second guitar uses spruce
Photo added on 03/01/2019
Both guitars have the same 'wedge' section
Photo added on 03/01/2019
Martin with his finished guitars
Photo added on 03/01/2019