Nick is planing the Sitka spruce front before cutting the shape.
Photo added on 23/10/2014
The thickness of the sycamore back is frequently checked with calipers, but the final judgment is made by a mixture of tapping and flexing the wood.
Photo added on 23/10/2014
Nick has prepared and fitted a single ring of cocobolo around the soundhole and is scraping it flush.
Photo added on 23/10/2014
The braces are lightened to make the front responsive whilst retaining strength and then profiled using a thumb plane.
Photo added on 23/10/2014
The bridge is then shaped and fitted before gluing to the front.
Photo added on 23/10/2014
Fine chisels are used to cut the recesses for the headstock inlay.
Photo added on 23/10/2014
In the traditional slipper heel method the sides are glued to the front via the tentellones which are fitted individually along the inside.
Photo added on 23/10/2014
Nick is planing the sides to height prior to the linings being fitted.
Photo added on 23/10/2014
The neck shape is achieved using a rasp, spokeshave and here, a plane.
Photo added on 23/10/2014
The cocobolo bindings and inlay are sealed by applying shellac with a fine brush to avoid the colour bleeding in the finishing process.
Photo added on 23/10/2014
The headstock, bound in cocobolo, with intricate mother-of-pearl inlay.
Photo added on 23/10/2014
Nick plays his finished instrument.
Photo added on 23/10/2014