Paul has prepared a ring of rosewood for his soundhole decoration. The bordering strips have been glued in and the material between them excavated ready for the central ring.
Photo added on 23/10/2014
The central ring is then glued in, gently tapped into place.
Photo added on 23/10/2014
After thicknessing, the back has a central strip of spuce glued down to strengthen the join on the inside.
Photo added on 23/10/2014
The front braces have been glued but not yet shaped. A bridge plate is also glued on the inside - this both protects the soft front from the ball ends of the string and also supports the area around theedge of the bridge, minimizing distortion.
Photo added on 23/10/2014
Paul is here checking the fit of the bridge which is shaped to the curvature in the front.
Photo added on 23/10/2014
The neck is now started and is blocked up.
Photo added on 23/10/2014
Paul is bending the lacewood sides...
Photo added on 23/10/2014
...and checking progress against the template.
Photo added on 23/10/2014
The guitar is then assembled in the mould.
Photo added on 23/10/2014
The back is the fitted to the assembled neck, front and sides.
Photo added on 23/10/2014
Paul is gluing on the back with go bars.
Photo added on 23/10/2014
The binding channels have been cut and Paul is bending the rosewood bindings to shape.
Photo added on 23/10/2014
Before removing the masking from the fingerboard the lacquer bridge between the tape and the neck must be sanded through.
Photo added on 23/10/2014
The lacquer can then be flattened and burnished to a high gloss.
Photo added on 23/10/2014
The guitar is reassembled and ready to play.
Photo added on 23/10/2014
Paul's thistle headstock inlay very close up.
Photo added on 23/10/2014
Paul's finished guitar.
Photo added on 23/10/2014