The join in the spruce wedges must be seamless prior to gluing
Photo added on 20/02/2018
The glued front is planed to a nominal height before carving
Photo added on 20/02/2018
Fine tuning the shape with scrapers
Photo added on 20/02/2018
The f-hole is sawn out and the edges cleaned with a knife
Photo added on 20/02/2018
Gluing the headstock veneer, in Richard's case a sandwich of ebony and holly
Photo added on 20/02/2018
Drilling the machine head holes
Photo added on 22/04/2018
Bending the sides - comparing with the template
Photo added on 22/04/2018
Rough shaping the back of the neck
Photo added on 22/04/2018
Planing the fingerboard camber. Using a plane rather than shaped sanding blocks gives greater freedom, for compound radius profiles for example
Photo added on 22/04/2018
The tremolo recess
Photo added on 23/04/2018
Time for the trial stringing 'in the white'...
Photo added on 23/04/2018
..this is when any final checks and adjustments can be made
Photo added on 23/04/2018
Richard has sprayed the front a translucent white and finished the maple back and sides with a light oil varnish
Photo added on 23/04/2018
The flamed maple back with oil finish
Photo added on 20/10/2018
Richard's finished guitar
Photo added on 20/10/2018